




We've turned one of the studios at the 100 Sided Die into a store. If you don't know about the Die, well, it's basically a huge shared studio in the Mile End. Tons of artists share the space, so there's a real variety of work. But our store is only open one day a month, so don't miss it!
Click here to be whisked away to the Facebook event.Date: Time: Location: Street: City/Town:
A new illustration for Eye Weekly about how it can sometimes be harder to be a good father than a good mother, because in order to be good fathers men need to be emotional in ways they aren't used to.
Actually, it looks kind of cool. Way to work the complimentary colours, internet.
Work in progress: getting near the end. I really fell in love with the multi-face thing going on above, but ultimately decided that it was the art part of my brain that loved the weirdness of it, and that the illustration part of my brain needed to focus on communicating a message. In that respect, keeping the second face looking more like a mask was probably a good choice. Also, the double face thing might be visually confusing to everyone but, say, the person who drew it. That was my main concern, anyway.
Work in progress: This is what it looked like after day one: a few hours of compiling the various elements. Day two was refinement and colour choice. Thank god, because it looks WAY better now.
I wish I could promise you that I'm going to start posting about something other than t-shirt competitions, but I can't. I've become obsessed. I mean, I'm definitely still painting every day and making "real" art, but still. Another t-shirt design submission. Sorry. It will stop someday. I promise.

I warn you - this is going to get really annoying. I will not rest until Threadless has printed a shirt I've designed (and yes, it's 100% because it would pay my rent for a long, long time).
I'm kind of amazed they let this enter since it *ahem* might have way too many colours. But I submitted in a moment of... well, I don't know what kind of a moment it was. Want to wear this on a shirt though? Click below to go to the scoring page. Thanks!
I got a picture of Stephen Harper, Stupid Hamster Face into an Ottawa newspaper! Take that Stephen - victory is mine!!





I just finished this HUGE sucker and damn damn damn it is pretty exciting. It is the FIRST abstract I have ever done, and I feel like I could suddenly take my work in a whole new direction I never knew existed.


Now that the April issue of Papirmasse is out and safely in the hands of subscribers, we can tell you why we were all atingle about it. It's a reversible book! Printed on one very large single sheet of paper, this beauty folds down into a 6 x 9 inch book that features two-toned drawings on one side, and hand-written artist profiles on the other.

Moniker Designs in Montreal has an annual t-shirt competition where they print the works of 15 artists onto a limited run of shirts, throw a big party, and sell sell sell those shirts! This year my horse design got picked, and I have to admit that I'm pretty stoked with how it turned out. I wore it for probably longer than I should have in the days after the opening...

This is my second portrait of Stephen Harper for the Framing Harper Portrait Contest, sponsored by Art Threat. I chose to focus this time less on his beady little eyes and more on his hair. How does the man who shapes our government policy shape that beastly coiffe? Neither hailstorm, nor windstorm, nor snowstorm, nor sunstorm, nor mediastorm seams to have any effect on his luscious mane. Closer public scrutiny is needed of this storm-proof hair! I know that I myself do not have any answers - not yet - but I do know one thing: the damned hair is hard to draw.






(Image from http://www.lcdlove.com/myspace/graphics/blah-blah-blah-myspace-graphic/)
Oh dear. Haha! Sometimes when I need to write text somewhere, instead of doing the whole 'lorem ipsum' thing (like a proper designer), I write "blah blah blah". I was just looking at my website (I'm doing a little redesign), and somewhere, hidden at the bottom of a page, are the words blahblah. Hee. I think I'll leave it there as a joke to myself. I *am* a little embarrassed though.

Production for issue 2 of Papirmasse is underway! What's that you say? You're a bad blogger and haven't even told us what this paper-thingamajigger is in the first place? True. But since a trip to San Francisco and many deadlines loom in my near-future, I'm going to have to delay any explanations until January. In the meantime, here's a preview of the cover image of issue 2, and a link to the official website, where all is revealed.
And it looks great! Vue went one step further and turned the illustration into a nifty punk-rock Christmas present in the form of a two-page spread documenting all the bands the members of Les Tabernacles have been in (hint: approximately a million, by the looks of all those squiggly lines.) Click here for a link to the hi-res version.

I've done illustrations before, but they've always been for 'zines or activist groups with low budgets, so I've never had the pleasure of working in colour, nor have I had the pleasure of *ahem* payment. Hence the excitement over landing the cover of Vue Weekly and getting to illustrate one of Edmonton's most well-known rock bands, Les Tabernacles. Some might say it's small potatoes, but everyone has to start somewhere, and I'm pretty stoked with how everything turned out. In fact, I had such a great time illustrating this that it's making me wonder if painting is really the path I should be pursuing.
Below are some work-in-progress shots, with colour choices being made. Choices!!


